*Summer 2008 *PS 399, CRN: 41666

Film and Politics

July 22-August 14; TR 4:00-7:50pm

 

Instructor:  Jennifer Hehnke

jhehnke@uoregon.edu

261 PLC

Office Hours:  2:30-4pm TR, or by appointment

 

Course Description:

Come and join us for a fun exploration of American political issues through the lens of film!  This course will explore topics in American politics and how they are explored in major motion pictures, as well as how films reflect, shape and explain politics, values and ideas in the US political context.  Since its inception, film has been used to set political agendas, advocate governmental policies and influence political socialization. Film has been used to demonstrate the plight of the poor, minorities, women, the “other.” It has both challenged and upheld traditional American values and institutions.

We will examine the ideas embedded in film and also the techniques film directors, writers, and producers use to convey their messages. Consequently, the primary goal of this course is to learn how to actively exercise critical thought in a world of increasing exposure to “mass media” culture.

Each class will incorporate lecture and film viewing. We will watch the entirety of the primary film listed in the schedule, usually supplemented with clips from other films that capture important points we will need to be analyzing as well.

**It should be stressed there is no “objective interpretation” to film or the ideas encapsulated in a film. People use popular culture to define themselves and to create and give form to their personal identity and experience. This has wider political implications, reflecting and shaping ideas and behavior. As such, a critical examination of mass media in film serves to “raise analytic consciousness” rather than reaching hard and fast conclusions.**

 

Required Readings:

 

There are no required textbooks. All readings will be on posted on Blackboard under “Course Documents”

 

A Netflix subscription might be useful for you this term.  It’s much less expensive than a textbook, and being that you’ll have to watch films on your own or might want to re-watch some of the films from class, you might want to try it out.  Of course, the public library has a plethora of films you could also use for your papers and are free for borrowing. 

 

 

 

Course Requirements and Grading Policies

 

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Essays (2)- 50% grade

·        Essay 1, Due beginning of class July 31st (20% grade):  Pick one topic from 1st, 2nd, or 3rd class.

·        Essay 2, Due beginning of class August 14th  (30% grade):  Pick one topic from 4th-7th classes.

** See Blackboard for detailed explanation of paper components and expectations

**Essays will be 5-7 pages each.

 

Scripting Template- 25% grade

You will be required to fill out a film-scripting template while viewing the film each day.  These will be graded on a simple check, check plus, or check minus system.  You will turn these in at the end of the film each class.  Templates are available on Blackboard for you to print off.

 

Group Discussion Board- 25% grade

You will all be entered into small discussion groups at the beginning of class.  All you have to do is participate in on-line discussions about the movies and thematic topics to get this part of your grade.  What I will be looking for is frequent participation (at least 2 100-word posts per week, or equivalent words), conversation with the rest of your group (talking with them), and analysis of the film and the topic (nix the movie reviews and simple opinions).  Discussion Board will be open until August 15th. 

 

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Other Information

 

Student email accounts:  You must have and use a uoregon.edu email account.  I often send notes across Blackboard using everyone’s uoregon accounts.  Please make sure you check your uoregon account on a regular basis.

 

Late Papers: If you happen to be sick when your paper assignment is due bring a note from the doctor explaining this (e-mails and phone calls will not suffice).  Other papers not turned in on the assigned day will be docked half a letter grade per day (e.g., an A would become a B+, B- would become a C after one day late).  No late final papers accepted past the day of the final.

 

 

Plagiarism and Cheating: Conviction will result in failing the class.  I have no tolerance for plagiarizing or cheating. Plagiarism and cheating undermine the purpose of academia and disadvantage other students. If I suspect you are cheating I will follow guidelines outlined by judicial affairs. If that doesn’t work, I’ll let them sort it out. As far as plagiarism is concerned, here is the golden rule: When in doubt, cite it! If you are using someone else’s words, put them in quotes and cite the source.  If you are using someone else’s ideas to further your argument, cite it even when not using quotes.  If you don’t do these things at a minimum you are guilty of plagiarism. Please see the following UO website for clarification and guidance: http://libweb.uoregon.edu/guides/plagiarism/students/

 

Disabilities: Please contact me ASAP if you are a student with disabilities. It would be helpful if you first contact Disability Services, 164 Oregon Hall, at 346.1155 and have them advise me as to how to best meet your needs.

 

Re-grading of materials:  You may request re-grading of assignments.  If you wish to make such a request, you must provide a one-page written explanation of why you wish to have the assignment re-graded.  You must bring this explanation to me, and then we can chat. 

 

Four final notes….

  • One… on instructor bias:  I have political biases, as does everyone.  Being an instructor puts me in a position of authority and influence. I definitely have opinions and values, but I also try to seek out information that may challenge these personal biases.  As your instructor, I will constantly strive to be aware of my biases and try to counter them with an honest and fair assessment of the other sides. I will also try to use bias for constructive and instructive purposes by taking various sides of debates for the sake of debate and encouraging you all to do the same.  What I ask from you is that you too become aware of your learned biases and learn to question them continually throughout this class.  This will lead to a more accepting and more exciting learning environment where we will all be striving to understand our own biases so that we may attain knowledge beyond simply bolstering our already formed opinions and values.
  • two… about student emails.  I will not respond to emails if I know the answer can be found on Blackboard.  If you don’t get a response from me within 48 hours, it’s most likely because the answer can be found on Blackboard (which will include the syllabus).  Otherwise, I will respond to emails within 48 hours.  Do not expect email responses before that.  This means, you must plan ahead.  No last minute questions will be answered. 
  • Three… I will expect you to be keeping up with announcements on Blackboard.  If something is posted on Blackboard, you are responsible for knowing that message.  I will not be sending out reminder emails.
  • And four… please come and talk to me!  I’m here to help you and encourage you to learn and be excited about knowledge!  I always abide by the old adage, “there is never a stupid question!!”   I always enjoy talking with students one-on-one, so please stop by!.

 

Weekly Outline

 

July 22nd

Topic:  Intro and Ideology, Politicians in Film

Film:  Bulworth

Secondary Films:  Bob Roberts, Dave, Mr. Smith Goes to Washington, The American President

Readings:  Scott, “Hollywood on the Campaign Trail,”

       Franklin, “American Political Ideology and American Film”

                   Corrigan, “Writing About the Movies” and “Style and Structure in Writing”

 

July 24th

Topic: Production, Technique, “Formalism” and Political Message (case:  Drug policy)

Primary Film:  Traffic

Secondary Films:  Easy Rider, French Connection, Requiem for a Dream, Spun, Tell the Children, Maria Full of Grace, A Scanner Darkly

Readings:  Christensen and Haas, “The Making of a Message” and “Appendix I”

       Bertram et al “Three Fatal Flaws in the War on Drugs,”

       Baum, “Just Say No,”

 

July 29th  ***ESSAY 1 DUE at Beginning of Class**

Topic:  Projecting Paranoia (case:  nuclear disaster and Cold War)

Primary Film: Dr. Strangelove

Secondary Films:  Conspiracy Theory, Enemy of the State, National Treasure, The Manchurian Candidate, The China Syndrome, Lonely are the Brave, Basic Instinct, Fatal Attraction, The Island, The Matrix

Readings:  Pratt, Projecting Paranoia

                   Haas, “Haas War Chapters” on blackboard

 

 

July 31st

Topic:  Media and Power

Primary Film: Network

Secondary Films: All the President’s Men, The Insider

Readings: Ehrlich, Matthew C. “News and Conspiracy”

                  Franklin, “Industry and Bias:  The Political Economy of Film”          

 

 

August 5th

Topic:  Cause and Effect II? Capitalism, Freedom, Social Disjuncture

Primary Film:  Office Space

Secondary Films: Taxi Driver, Fight Club, Boiler Room, Clockwatchers, Roger and Me, Wall Street, American Beauty

Readings: TBA

                 

 

 

August 7th

Topic:  Homosexuality in Film

Primary Film:  The Birdcage

Secondary Films:  And The Band Played On, It’s In the Water, Jeffrey, Nightbreed, The Lost Boys, TranzAmerica

Readings: Benshoff, “Monsters in the Closet,”

      Russo, “The Celluloid Closet”

 

August 12th

Topic: Women in Film

Primary Film:  Thelma and Louise

Secondary Films: Fatal Attraction, Nine to Five, Pleasantville, The Stepfather, The Temp, The Stepford Wives, Charlie’s Angels, Working Girl, Basic Instinct,

Readings: Caulson,”What Feminism is all About,”  

                  Rapping, “Centralizing Feminism: Thelma and Louise,” Leo, “Toxic Feminism on the Big         

        Screen,”

                  Shapiro, “Women Who Kill Too Much”  

 

 

 

August 14th ***The Final Essay 2 is the final exam

                                   DUE by 5pm to 261 PLC

 

If you want to turn in the final essay early, please a copy in my locked box on the 9th floor of PLC.  No papers are accepted over email.